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Good girls and bad bitches come up in almost every song of Drake’s discography. Oh, and she just happens to be dressed in the sexiest white lingerie ever made and pearls - a subtle hint at innocence that says she still puts out. Drake croons “But you’re a good girl and you know it” while telling her “Just hold on, we’re goin’ home.” In the music video, he rescues his girl from evil mobsters like a true hero. Spoiler alert: this works out for no one.Ī perfect example of this is “Hold On, We’re Going Home,” a hit song from his 2013 album, Nothing was the Same. Somehow women are supposed to be both of these at the same time. “Bad bitches” are usually just strippers or women who have a lot of sex. “Good girls” are ones that he can easily manipulate with money and are willing to wait for him while he balls out on tour for the rest of eternity. They’re either “good girls” or “bad bitches” (academically known as the Madonna/Whore complex), which I wrote about at University of Oxford. He has an incredibly radical and one-dimensional way of looking at women.
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Demeaning strippers and ogling them at the same time is easy.ĭrake feeds us back the patriarchal bullshit older generations have been spewing for years in a way that seems cool, but still does just as much harm. Tyra Banks acting the part of the crazy bitch and throwing cheesecake at him is funny. We want to “bounce that shit like woah” because it’s catchy. The rest of the video is just strippers twerking while Drake throws money, or them all sitting oddly still in front of him while he raps.Īt the end of the song, Drake sings in his nasally whine, “I’m not someone you should trust, I know.” So why do we? Why do we feed into the old-fashioned idea of the “good girl” and let him turn listeners against women? It could be because Drake is fun and charismatic. Hammer Jr., who touts himself as a big pimp but is clearly a loser, tells the girls there will now be an 80/20 pay split. Because “the 6God is taking over tonight,” the girls have a new boss, Texas Hammer Jr.
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Bitches be crazy, right?ĭrake raps for a bit with cake on his face, then forgets the whole thing and heads to the strip club, segueing the video into a completely unrelated skit. He comes back and she tells him she’s caught him in a lie, so she starts yelling at him and other restaurant patrons, fulfilling the prophecy of the now iconic line, “Why you gotta fight with me at Cheesecake?” She ends the fight by smashing cheesecake in his face and pouring red wine over his head. His girl (Tyra Banks) is definitely reading his texts.
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Fans male and female alike seem to eat up lines like “Used to always stay at home, be a good girl,” not realizing the patriarchal mentality they carry.Įarlier this month the so-called 6God dropped his video for one of Views ’ few hits, “Child’s Play.” The video starts with Drake washing up in a Cheesecake Factory restroom when, after grossly drying his hands by shoving them in his pockets, he realizes he forgot his phone on the table. What never fails to surprise me about Drake is the misogyny he infuses into his music that seems to grow more bold and blatant with each new record. He even threw in the practically ancient “Hotline Bling” at the end in an attempt to keep the meme alive. Out of 20 songs, there were only a few real bangers. When Drake dropped Views in April, the only thing that surprised me about the album was how bored I was by it.